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8.28.2009

Mount Diablo



Today is my birthday, and for a present I took myself on a bike ride up Mount Diablo. It's a big mountain in the East Bay of the San Francisco Bay Area. It took about two hours of climbing, but was extremely rad. At the summit was this observation deck, straight from that old computer game Myst. It was a pretty groovy trip.
Whites started calling it "Mount Diablo" because they thought they heard the Spanish call it that
The Spanish actually called the mountain Cerro Alto de los Bolbones, after a local Native American tribe called the Volvon (Bolbones en Espanol)
The Olone Native Americans called it Tuyshtak, and they considered it the place where all of creation began
Another Native American group called it Sukku jaman, while yet another called it Supemenenu.

8.27.2009

We were on vacation in Trinidad!

Trinidad, California!

It's a little town in North California, up past Arcata. Pretty groovy place. We hung out for a few days and hiked all over the place and saw a bunch of stuff.
Aside from tourists, hobos and hippies, Trinidad is mostly populated by fishermen
There's a huge rock called the Trinidad Head in the harbor, as seen here fog-lodged
A mermaid/man.



we went to Confusion Hill, where the theme is "Confusing but Amusing." Got sea sick
replica Native American village.
age-old anti-bear technique

8.24.2009

story of the week: THE SPRING RAIN

"woman god" acrylics on paper. b.g.
It was in no way the greedy, conniving want of the material that Marcella was afraid an outside observer into her soul would see, but rather a passionate desire to create and to cultivate a life beautiful and full of life's best things. Being rarely lacking in attention of men, she approached each new lover looking for what he and she could create together. What they could found and build up. On weekends and on breaks during the work day, she would idly leaf through real estate ads, cataloguing diligently the costs of certain ideal neighborhoods.

It was a genuine warmth and admiration that she felt for the men who took her out in the evenings, and if the pleasure she derived from the nights she spent with certain of those men was not erotic, it was still pleasure. She cultivated certain moments of intense intimacy: Meetings of eyes that insinuated tantalizing invitation, washed down with pungent wine during dinner. A touch straying in the tense and stiffly friendly conversation while walking into a restaurant, a touch so light as to be that of a phantom. A moment of agreement in conversation about a point simple, but made to feel important and crucially intimate, a bond to tie them together.

It wasn't as if there was no pleasure for her in the nights they converged in twisted sheets and blind thrusting. It was only that her pleasure was solely based on what she and the man were creating together, the life they might build up from all the ridiculous nocturnal fumbling. A house, a life. Children, maybe. Careers and success. Respect. Vacations and dinners. Beyond that, sex was nothing. A man naked and a man clothed were of only nominal difference in her eyes, and a man aroused could, if she were not careful, reduce her to laughter. It hadn't always been that way for her, and she had no idea what had changed in her life. She considered asking a friend, or her mother about whether or not her lack of sexual interest was standard. But she had never cared much about being normal and, not actually being concerned or unhappy, she concluded that she had no reason to worry.

Her housemate was named Tracy, a rail thin and pleasant woman who was studying to be a librarian at the local university. They hadn't been friends before moving in, having met only by benefit of responding to the same "FOR RENT" ad. Despite not having likely ever gotten to know one another in other circumstances, Marcella and Tracy became close enough. They shared meals every now and then, and they kept each other up to date on one another's life with quick conversations whenever they met in the hallway that connected their two rooms. Tracy was not plain, not ugly, not pretty. Her features were distinct and striking, her body without curves, like a fashion model or invalid. If she was not a blonde, Marcella imagined that Tracy would look like a man, with the dense coat of hair that covered her body and face. Marcella had walked in on Tracy drying off from a shower once, and she had noted that the other woman was as flat-chested as an adolescent boy.

Tracy had no friends aside from her boyfriend, a large, thick man named Varun. He spoke with a stutter and, despite his largeness, he walked and spoke and inhabited an aura of gentleness that was as often pathetic as it was pleasant. He often spent the night, and at least once a week he would bring his friends over to play video games on Tracy's plasma T.V.

Tall, well-groomed by habit and given by nature the physical shape that some doomed men base their lives and their art around, Marcella did not bear Tracy or Varun any ill thoughts when she considered herself better than them. She respected the town, enjoyed talking to them both and generally lived a life that had nothing at all to do with either.

One night in early spring, Marcella awoke with the sound of rain outside. She was drenched in sweat, the room having becoming sweltering with tropic heat in the few hours since she had laid down. The temperature had risen nearly ten degrees since the rain had started, the sudden unlocking of the clouds also releasing a heat that had been building in its winter dormancy. She went to the window and, ignoring the raindrops, took a deep, thirst breath of the fresh air. In the empty space of the backyard, which both her and Tracy's windows opened up on, Marcella heard the soft, guttural pant, the exhalation of air sudden, as if pushed from the body by force and given the sweetest, ripest touch of a moan.

Rhythmically, the panting and moaning filled the backyard. As she listened, smirking at first, Marcella could make out the creak of the bed frame, the squeal of bed springs, and the scratching of hands or feet, or knees against the sheets. Frowning, Marcella leaned further out her window to hear the sounds in the night, becoming aware of her solitude and secrecy. Being able to listen safely, undetected, she felt no shame straining to catch every little noise. A stirring when through her, so quiet as to be nearly undetectable to her self, at first. It was several minutes before Marcella realized that the panting and the bed sounds had caused the long reticent fire to descend from inside of her.

As she listened to the crescendo of moans at the advent and then collapse of her housemate's orgasm, Marcel had discovered herself with her fingers in order to secretly join Tracy. Then, in the cooling silence, Marcella went back to her bed and lay awake for a while. She saw herself walking across the hallway, knocking lightly on the door, stripped naked and desperate. Or maybe she would meet Varun in the bathroom, and show him what she wanted. Her fantasies became more and more abstract and, as she began to cool, she became embarrassed. After a while, she turned over and shut her eyes, hoping that, in the morning, she'd simply forget.
"blue box" acrylics on paper. b.g

8.23.2009

I watched "District 9" yesterday

It was pretty cool. I want to talk about what I thought about the movie, without worrying about ruining it for anyone. So if you think you'll see it and don't want me to give away the ending, then don't read any further.







One of the central plot lines was a human character's transformation into an alien. He is a private contractor hired by the government to help move 1.8 million stranded aliens from a shanty town to a concentration camp. One of his tasks, while moving the aliens, is to collect alien technology and weaponry. He stumbles upon some technology that infects him with the alien DNA.

His driving motivation then becomes, throughout the rest of the movie, to stop this transformation. The transformation is really nasty ... very much inspired by "The Fly" by that guy Cronenburg. And I was really interested in it.

One of the underlying themes of the movie is immigration. The aliens are literal "illegal aliens," and human society reacts by isolating them, containing them. But any of those solution fails ... the alien population continues to grow and grow. And the longer that the aliens are ghettoized and forced into the role of second-class citizenship, the worse the aliens become. They are scavengers and often criminals. And there's a growing specter of the future ... as there are more and more aliens, they are only going to become more of a problem.

The human-turning-alien embodies the immigration anxiety perfectly. Aliens are "taking over." As the human and alien DNA merge, the man's body becomes monstrous, something unrecognizable. Similarly, as human and alien society merge, people are afraid that society will become something monstrous and unrecognizable.

It made me think of all those Anglo town hall protesters and tea baggers, holding up Nazi Obama signs and screaming about the fore-fathers. Screaming about how "their America" is changing ... into something monstrous and unrecognizable.

It wasn't necessarily an optimistic movie. It made me wonder how many more years before the booming Latino population makes Texas into a swing state.

8.21.2009

wild and innocent friday morning art


"nude blue" acrylics on paper. b.g.

8.20.2009

thursday morning painting

acrylics on paper. b.g.

8.16.2009

story of the week: "OUR HOMECOMING"

"we will become light" acrylics on paper. b.g.
Remains were discovered on the outskirts of a Collective on the Southeastern portion of the North American continent. It was believed, at first, that the remains were simply from one of the native animals. That was, actually, the case, but the remains provided a complex quandary. When we tested the DNA, it was revealed that the animal's make-up was nearly identical to ourself. This revelation prompted a review of historical records, in order to confirm the connotation of the animal remains: that we were native to the planet Earth.

Our forgetting was due to our interaction with extraterrestrial entities, we discovered. Approximately 100 years prior, when we had successfully translated our digital consciousness into beams of light, we had begun mapping the galaxy. In that exploration, we came into contact with entities similar to ourselves, and we exchanged information with each. By the time the human remains were discovered, we had become so immersed in the information we attained abroad that our own history must have been overlooked.

But there was more to it. One such as us does not forget things that we do not want to forget. It came to our attention that there was a predilection to forget in ourselves, a push towards the new, away from the old. It was a part of the ancient, biological portion of ourself. The human part, from before we created the digital part of ourself. This trait of forgetting and pushing forward was undoubtably responsible for our evolution from human to ourself, but the conclusion was that forgetting was akin to the deletion of information. Nothing was more dangerous, or more foolish than the deletion of information.

We looked around our home world and found it dissatisfying. The cities that our ancestors had built sat rotting on the surface of the earth, consumed by jungles of malformed plant-life, poisoned by humanity's toxic by-products. Many of the native species that we had on file were no longer living, and those that were had been reduced to sick and desperate populations. The oceans were nearly empty of life.

We got to work. The deletion was extensive. But we had not forgotten.

some art for shunday

"garden of eden" acrylics on paper. b.g.

8.14.2009

Quite a Trade

Saint Oe
My buddy Morgan called me up the other day, and we talking about it all, when he told me that he'd finished the book I gave him. "A Personal Matter" by Kenzaburo Oe.

Many of my readers are already aware of this, but I'm just going to explicitly state this right now. I think Kenzaburo Oe is the greatest modern writer in the world. "A Personal Matter" is the best novel I've ever read. Morgan was pretty impressed with it too.

We got talking about writing. He's a writer as well, so we talked about that kind of stuff. At some point in the conversation he mentioned reading "The Fountainhead," and I started making fun of him.

Again, many of my readers know this. But I'm a liberal, from a liberal world, from a liberal family, with a liberal sensibility. I have been guilty at times, I admit, of letting my politics sway my intellectual abilities, and devastate my typically charming social skills. I still can't see a picture of Ronald Reagan without subsequently punching every senior citizen in the vicinity.

So Morgan tells me that he's going to get me a copy of "The Fountainhead" for my birthday (AUGUST 28 WHAT ARE YOU GOING TO GET ME???). We're going to trade..."The Fountainhead" for Oe's "Teach Us To Outgrow Our Madness."

Quite a trade.
Is it true she was just a hateful, misanthropic monster? or did she have good qualities as well? I can't wait to be forced to find out!

8.12.2009

summer read: "Golden Gate" by Vikram Seth

this is the hardcover version. I highly recommend reading it in paperback.
Norman Mailer, or someone like that says on the back cover of this book that it's the "Great California Novel." Maybe. It has the fabric and life of California in it, and maybe moreso than other "California" stories. It's about young and youngish people looking for love in and around San Francisco, and it has sort of "California" attitudes about love transcending gender or appropriateness.

But the most interesting thing about the novel is that it's written in all sonnets. And it kind of works. Occasionally it gets ridiculous, but honestly the sonnets make the book a different, more fascinating kind of read. The poetry gives it a light but powerful touch. At points in the reading, I reflected that poetry might be the only real way to capture San Francisco in writing.

8.09.2009

story of the week: THE BIG SLIDE

"poolside" acrylics on paper. b.g.
He could get unemployment, but he'd lose the house. He was already three months behind, and even if he found another job immediately, there were other expenses. The bank had been around to check up on him, and they had let him know what was coming. He sat in the backyard and looked at the trenches he'd dug for an irrigation system that he'd never installed.

The sky was muddy black, the oval moon lighting up a few little wisps of clouds, and the endless world of streetlights out past his backyard wall turning the edges of night sky yellow. He sat naked in the lawn chair and closed his eyes. If he made an effort at this and only this time of night, he could pretend that he was alone. It was the time when people stopped tossing and turning in their sleep. Even the insomniacs lay still and silent. And it was before the sprinklers started, before the men who delivered the newspaper started driving through the neighborhoods. Before the trash collectors started banging around in some far-but-near neighborhood. Only occasionally would he hear the low moan of the train, far, far away out over the phantom landscape...the netherworlds.
He could pretend that his children weren't inside, wrapped in their beds and in their rooms that were not really theirs, not really his anymore. That his wife wasn't inside, wrapped in the sheets but not fully asleep. Occasionally he'd think about all the people around him, all the strangers he knew and did not know, and he'd feel a creeping panic. There were so many people in the world! All around him! Suffocating! A low growl from the sky caused him to jump. Above him, an airplane.
He slept. The next thing he knew, the sun was beating down on his bare flesh, waking him up just as it became unbearable. He went inside. His children were in the kitchen hollering and eating breakfast.
"Hi, daddy!" His daughter yelled. She had on her pink swimsuit, and pink "Princess" sunglasses. The boys, following their older sister's lead, screamed out their "Good morning, daddy's." He smiled and kissed each of them and hurried upstairs to his bedroom. His wife was wearing a church dress, doing her face in the mirror.
"You're not wearing that to the water park, are you?" He asked as he pulled out his swim trunks.
She gazed at him in the mirror, and slowly smiled, tired. She closed her eyes, and dragged the blue eyeliner slowly across her lids. "Have fun," she said.

The water park was on the southern edge of town, built on top of one of the dozens of old mining villages that had once covered the hills and had gone bust and died. The screams and howls of other people's children set him on edge. But he struggled to stay cheerful. They had season passes, which he had paid for at the beginning of the year, and so it had become a weekly tradition to go. The children had not, as far as he could tell, recognized things that had changed in the family. To extend their contentedness for as long as possible, he focused on routine, on fun. He made jokes and wrestled with them and pushed his face against their fat bellies and tickled them. They had hot dogs and ramen noodles every night. Every Saturday, he packed lunches for them and took them to the water park.
"Daddy," his daughter said, after she and her brothers had been playing for about an hour in the pools and on the little slides, where they usually stayed. "I want to go on the big slide."
She was six. He looked up at the slide she referred to. It was at the top of a long stairway, and it twisted and curved down into a big, deep pool. He frowned.
"Okay, sweetie," he said. "Okay. You can go ahead. I'll be able to watch you go up there."
She looked up at it, but hesitated. "Can you go with me?" She was scared, excited. He looked at her "Princess" sunglasses, which he had been holding onto for her while she played in the pool. She wanted to go, but she didn't want to go alone.
"Of course," he smiled at her.
He took his sons out of the pool and sat them on a bench next to where the big slide would let out. He instructed them not to get up and not to go anywhere, but to wait for him to come barreling down the slide. "Watch for daddy to come out of there!" He pointed at the outlet for the slide. "Tell me if I look like a dufus, okay?" They giggled when he tickled them. "Hold hands, okay? Don't go anywhere!"
He was practically walking backwards up the stairs, to watch his sons and to make sure nothing happened. There was a line. His daughter was jumping up and down and squealing at first. But as they got closer to the mouth of the slide, she got quiet and held his hand tight. Big jets of water rushed down the slide, pushing the people into the barreling turns. She didn't want to let go of his hand, and for a few minutes he thought that she was going to get out and go back down. But then she didn't. She sat at the top of the slide and then pushed off. Screaming joyfully, she disappeared around the bend.

And he was alone at top. The teenager lifeguard sighed, nodded at him that it was his turn to go, and he sat down in the jets. The pummeled him, but he weighed too much for them to move. Grunting he pushed himself closer and closer to the drop of the slide. Fump! He went flying down the white plastic, tumbling around in the water, rushing, rushing, rushing. He heard himself laughing. Giggling, even.
Oh my God, he thought. Never, never. Never let me reach the end of this.
"poolside 3" acrylics on paper. b.g.
"poolside 2" acrylics on paper. b.g.
"poolside 1" acrylics on paper. b.g.

If it's broke, then fix it

I'm just saying.

8.08.2009

CONVERSATION CONCERNING NOSTALGIA AT THE WATER PARK



Young Man: "Brendan?"

Myself: "Yes?"

Young Man: "Is there a word that describes the feeling...when you had something, but don't have it anymore...but then later you want that thing?"

Myself: (considering) "Envy? Jealousy?"

(young man frowns, does not seem to think these words fit)

Myself: "Desire? Uh...nostalgia?"

Young Man: (lighting up) "I feel nostalgic."

Myself: "Ah hah. And what is it that you want?"

Young Man: (look of contemplation on face) "I feel nostalgic for my lunch."

8.05.2009

"Canticle For Leibowitz" by Walter M. Miller, Jr.

found at the east bay depot for creative reuse
Yesterday my girlfriend wanted to go get some vintage wallpaper. Why does everything have to be about vintage this...vintage that? I guess it's my fault for dating the Cali Vintage girl. Anyhow, as usual, I spent all my time there digging through books. Found this interesting novel.

It's speculative fiction, of a particular scholarly slant. I haven't read it, but I actually read a lot about it when I was doing research for my "Panoski's Myth" cycle of stories. The story concerns a monk named Leibowitz who rediscovers technology centuries after nuclear war caused a second Dark Ages.

It's a second printing, and it's ex-library...more specifically, it's from St. Theresa's Parish Library, which I assume refers to the St. Theresa's school here in Oakland. Somehow being beat up and library discharged only increases its coolness.

new read: Mavis Gallant "Home Truths"

"home truths" by mavis gallant
I now own three books of Mavis Gallant's short stories, and I'm finally getting around to cracking one of them open. She's a Canadian author who writes (in what I've read so far) about growing up in Canada, in a way that reminds me of Alice Munro. Maybe, due to Gallant's being older than Munro, I should say that Munro reminds me of Gallant. In any case, it's good stuff.
picture of the babe-ish author, found on flicker

8.04.2009

two faulkners

I love William Faulkner.
I found these two in some book store, downtown Berkeley. They're the real deal: first editions, first printings. I had a bunch of trade credit at both stores, and paid very little for them.

I'm starting to get nervous about all this book collecting. My apartment is getting pretty full of books. I can't help myself. Last night I picked up another two books. I don't know why.
I read once that, among the great English language wordsmiths, there was Shakespeare, Dickens and Faulkner.

8.02.2009

story of the week: "H1N1 Thousand"

"blue skull" acrylics on paper. b.g.
You couldn't see five feet in front of you, for the fog. In order to load up the helicopter, we had to lay out bright yellow tape so we'd wouldn't get lost. Lifting off, you'd swear we'd smash into the fog like it was a solid wall and crash. The pilot didn't even bother looking out the window. He just stared at his sonar, at the glowing green mass on the screen. The big, sleeping cities. Something tangible began to emerge from the darkness. Underneath us, the phantom shades of city streets and houses. Then the skyline appeared out of the smoky gray. San Francisco, asleep.

Funny to think of it now, but before the epidemic, people used to talk about "global warming." There were so many people on the Earth back then, we were causing the whole planet to become warmer and warmer. It was harder than you'll ever know, going through those flu years. Losing so much. I certainly didn't notice the winters lasting longer and longer and longer.

When we touched down on a rooftop in what had been downtown Oakland, there were people waiting there for us. We all filed out quickly, nodding vigorously at the ragged greeting party. There were seven women, dressed in robes, their faces veiled. A middle aged man stood in the center of the group, grinning at us. You couldn't be sure what sort you were going to encounter back then. There was peace in the region, as far as the government was concerned. But that didn't mean we were ever unarmed. The man stepped forward, offering us his hand.

"Not sure which of you is in charge," he barked happily, grinning. Caldwell stepped forward and gripped his hand. "Welcome to our home. We got the message you were coming, and did some prep work for you." He motioned over his shoulder, at several dozen enormous vats. "We drained all the fluids from all the vehicles in the area surrounding our home." He frowned a little. "We live up in the Oakland hills, just east of here. We have a fence up around our land. I want to assure you that there is no reason for you to cross that fence."

"That's fine," Caldwell replied. The man thanked us and directed that his people leave. Obediently, they filed out. Two of them were clearly pregnant. Like I said, there was peace in the Bay Area. Peace was the government's primary goal back then. We don't even know all that was allowed to happen, to allow that peace. A lone polygamist with a cult of wives was of no concern back then. Not when there was so much to do.

We waited a half hour before following them out, to give them a wide berth. After a long enough while, we unloaded the equipment and went down to the street. The building was rotted out. The walls were bloated with moisture, the wooden furniture swollen and stinking of mold. The lower floors were flooded and treacherous. Caldwell made a note. The building would not be reliable for future visits.

The buggy was waiting for us in the street, where it had been airlifted in a few days prior. We loaded up and started. The city streets were a mess of swamp and weeds, plant-life so big and rooted that they had taken on a regal quality. Gradually as we went along, the insects started their calls, cautiously at first and then louder and louder until the sound of them trembled in our bodies. It wasn't a human world. Not anymore. There weren't many vehicles downtown. A few abandoned cars here and there.

Engineers had designed our equipment to make fluid extraction as quick and as simple as possible. The buggy had a trailer carrying several dozen vats, each of which had four hoses. Each of the hoses had a harpoon-like spear on its end, and a hydraulic firing mechanism. You'd pry the hood off the car with your crowbar, then fire the harpoon into the engine. Press a button, and the hose would suck out all the oil. Then you'd do the radiator.

That was the way of the whole world, back then. Teams of us dropping into the cities where all the people had died or had left, draining motor oil. Dismantling the power plants and the factories. Turning everything off, pulling out.

By the end of our first day in Oakland, we had moved into the residential neighborhoods. We camped out on top of a brick building. It was cold up there, but not too wet. And we wouldn't be bothered by the dogs. Big packs of dogs roamed through the neighborhoods. Thousands of them, the descendants of house pets. And at least as many cats. Lots and lots of snakes, way more than you would have expected if you had been around before the flu. I guess those pet snakes had adapted well to the environment, because they were all over the place.

The next day we really started in on the neighborhoods. In one block, you'd regularly have 30 or so cars. You had to bust open the garages and go into the backyards. You went everywhere slowly, always with at least one partner. We found some encampments, but the inhabitants had left them. We had broadcast warnings and explanations of our arrival for days earlier. We had to shoot a few dogs. Slowly, we made our way.

It was in a garage I found it. I had to urinate, so when I finished with the car I pushed open a closet and relieved myself. Then I looked up and there, in the dim dampness was the dress. It was bright pink, a tiny little toy dress that a some little baby girl had worn once. Wrapped in plastic and preserved perfectly.

Seeing it there caused a stir in me, and I stood there for a few minutes. I put my hand against it and felt the fabric underneath. A silly little thing, flimsy and never intended to last longer than a few months of wear, but stashed away. Where was that little girl now?

It was too much to look at. And I would have left it there, a memorial, maybe. A marker. But then maybe, someday I would have a little daughter. Maybe I'd have some use for it, someday.

"magenta skull" acrylics on paper. b.g.

some arht for sonday


"sylvan" acrylics on paper. b.g.
I've been reading Allen Ginsburg in the bathroom. "Sunflower Sutra."
"demetrios" acrylics on paper. b.g.